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These did not have a live studio audience and by being shot single-camera, tightly edited sequences could be created, along with multiple locations, and visual effects such as magical appearances and disappearances.

Multiple-camera sitcoms were more simplified but have been compared to theatre work due to its similar set-up and use of theatre-experienced actors and crew members.

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Generally, the two outer cameras shoot close-up shots or "crosses" of the two most active characters on the set at any given time, while the central camera or cameras shoot a wider master shot to capture the overall action and establish the geography of the room.Sitcoms shot with the multiple camera setup include nearly all of Lucille Ball's TV series, as well as Mary Kay and Johnny, The Dick Van Dyke Show, The Mary Tyler Moore Show, All in the Family, Three's Company, Cheers, The Cosby Show, Seinfeld, Friends, Will & Grace, Everybody Loves Raymond, Two and a Half Men, The Big Bang Theory, Mike & Molly, and Mom.Many American sitcoms from the 1950s to the 1970s were shot using the single camera method, including The Adventures of Ozzie and Harriet, Leave It to Beaver, The Andy Griffith Show, The Addams Family, The Munsters, Get Smart, Bewitched, I Dream of Jeannie, Gilligan's Island, Hogan's Heroes, and The Brady Bunch.For this reason, multiple camera productions can be filmed or taped much faster than single camera.Single camera productions are shot in takes and various setups with components of the action repeated several times and out of sequence; the action is not enacted chronologically so is unsuitable for viewing by a live audience.The camera currently being recorded to the line cut is indicated by a tally light controlled by a camera control unit (CCU) on the camera as a reference both for the actors and the camera operators.

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